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Dialogue is the ‘talking’ in your stories. Having your characters
talk to one another makes them come alive for your reader. If you get the
dialogue right, you’ve got a good chance of writing a great story.

“ If you don’t indent or punctuate your dialogue correctly you will
make my blood boil,” warned the Grumpy Examiner. “And you’ll
make it really difficult for your readers to follow your story!”

Remember, in an 11+ exam you’ll only have half-an-hour to write one-and-a-half
sides of A4. The best 11+ examination stories use dialogue to propel their stories
forwards.
Every time someone starts to speak you begin a new paragraph.
We begin new paragraphs with an indent (a two finger space in from the margin).
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“ Like this!” said Bald Worm. |
Everything that a character says should be enclosed between speech marks.
I’m sure that your teachers have told you “don’t just use ‘said’. Use lots of different speech verbs, like ‘shouted’, ‘begged’ and ‘moaned.” Your
teacher is right!
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"Please use some speech tags,” said the Grumpy
Examiner, “but
do make sure you don’t just use said.
“I’ll remember that!” giggled Bob.
“Remember, you’ll really impress me if you use varied and interesting
speech verbs!” cried the Grumpy Examiner.
“But do I need to include a speech verb for every single piece of speech?”
“No. In longer dialogues, it is usually better to drop the speech verb
altogether, once the reader realises who is talking.”
“Like this?”
“Just like this!” laughed the Grumpy Examiner. |
The classic mistake is to fill your writing with salutations – comments
like ‘hi’, ‘well’, ‘yeah’ – things
that we say all the time when we chat with our friends, but make for
dull story dialogue. Look at this example, which is typical of the bad
dialogue
the Grumpy
Examiner often has to read:
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“Hi!” said Bob.
“Hiya,” I replied.
“How you doing?” he asked.
“I’m alright. How are you?” I said.
“Fine.”
“That’s good.”
So, what are you up to this weekend?”
“Nothing much,” I muttered.
“Do you fancy coming to the cinema with me?” asked Bob
“That would be great, but my Mum won’t let me out.”
“Oh, come on. It’ll be fun.”
“Alright,” I said. “I’ll come. But I’m going to
get in so much trouble for this.” |
This conversation took twelve lines to give me a tiny piece of information.
Twelve lines! If I was writing this in an 11+ exam I’d have wasted
nearly half-a-page already! By cutting out the salutations, I can give
my reader the same information
in just a couple of lines:
“Hiya, mate! Fancy coming to the cinema tonight?” asked Bob.
“Alright, but my Mum’s going to kill me if she finds out.” I
muttered.
Do you remember our ‘Fab Four Golden Rules for Planning
a Story’?
One of them was conflict – disagreements, arguments and problems.
Try to base your dialogues around disagreements and arguments:
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“Hiya, mate! Fancy coming to the cinema tonight?” asked
Bob.
“No way – my Mum’ll kill me if she found out!” |
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Last updated on
August 14, 2007
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